Recently, I was invited to visit the city of Suweida which is in the southern hilly part of Syria about a 90 minute bus ride from Damascus. I was invited by a student named Khalid and was promised a tour by his uncle, who in addition to being a serious history buff, was the architect in charge of designing the Suweida museum, and many other buildings in the city.
I was escorted to the bus station by Bian, another of Khalid’s uncles who lives near me. After an uneventful bus ride Khalid met me at the Suwaida bus station and drove me to his parents house where I met his family and after some conversation and a promise of a meal later, Mahar, Khalid’s uncle began the tour. The first stop was the Suwaida museum.

Khalid on the left, me, and Mahar on the left outside the museum.

Me on the other side of the museum.
Khalid’s uncle, Mahar, had been the head architect who designed this museum, and was a serious history buff who knew a lot about the history of Suweida and all of it’s ruins including recently uncovered ones. When we entered the museum I asked him if photos were ok and he told me he thought it wouldn’t be a problem but after the first shot I was told by the friendly curator that it wasn’t permitted.

This was the only picture I got inside the museum. This etched stone is from around 2000 bc
The pieces inside were amazing and dated from about 2000 B.C. to just a few hundred years ago. Most dated slightly pre Roman through the crusades. Inscriptions were in several languages and some which I took to be some form of Greek turned out to be something I had never heard of. The level of preservation seemed remarkable to me and were at least in part due to the very hard black basalt they were carved from. The most memorable of these carvings was a mostly complete and very well preserved depiction of the deity Ba’al Shamim, whose attributes seemed to be similar to the more familiar deities of Apollo and Zeus. It was depicted as a large eagle with outstretched wings and a turned head standing on a snake or with a snake wrapped around it’s feet. It’s similarity to many national symbols was striking.

A badly damaged depiction of Ba'al Shamim. The one inside the museum was mostly complete and spectacular. The resemblance to the national symbols of many countries, including our own, was unsettling.
The museum was laid out in a very organized linear fashion, which made it easy to get an overview of the long and complexed history of this area with it’s many different era’s.
The final room we visited was dedicated to mosaics of mostly the Roman period. These were phenomenal. Very large, detailed, and well preserved/restored they appeared to be the pride of the museum. And it was easy to see why. They were stored in a specially designed room with a translucent dome that acted as an enormous skylight. I really mourned not being able to use a camera inside the museum.

Under this dome is where the mosaics are displayed.

The 2nd stone from the left is what I believe to be an upper millstone.
After leaving the museum, Mahar drove us to several archaeological sites which I will describe mostly in captioned pictires in my next post.